This originally ran in the St. Louis American in August of 1997.
Get ready, St. Louis. Lucky Dube, one of the greatest, and most
sincere artists in the history of reggae, returns to town after a five year
hiatus.
Dube (pronounced “doo BAY’) subcribes to the Bob Marley roots
tradition - in sound and lyrics - and brings his passionate, Peter
Tosh-like vocal style to Mississippi Nights this Thursday night, August
14th.
Resisting the popular (and rough) sounds of dancehall, Dube
instead incorporates jazz, gospel and rock into his smooth style resulting
in what can only be classified as modern roots. This South African
superstar crafts complex and infectious songs which are smooth yet
powerful, and is currently touring with an eleven piece band (complete
with horns and choreographed Zulu dancing by the three outstanding
female harmony vocalists).
In a recent interview from California, Dube started things off by
discussing Peter Tosh. “He still is like the greatest influence to me, even
now. People who say I sound like him, I really don’t know how that
happens cause I wouldn’t try to be or sound like Peter Tosh because
there is only one Peter Tosh, ya know. All I can say is that maybe it’s
because he still is such a great inspiration to me.”
Dube went on to discuss his early days in the music business.
“Well, reggae was not very well accepted by the Government. And the
people were kind of afraid in those days [the early ‘70’s]. They were afraid
to even OWN a reggae tape. Cause if you were found with a Tosh or
Marley tape, the police would kick the [you know what] out of you and
even throw you in jail.
“The record companies just weren’t interested in reggae. So I
played Zulu music, but my real love was for reggae, so in 1984 we
recorded “Rastas Never Die,” but it didn’t sell. See, there was no airplay
and they didn’t promote it, cause they didn’t actually approve of it.
“They wanted us to go back - IMMEDIATELY - and record a Zulu
album. They booked the studio and we went in but we recorded another
reggae album, “Think About The Children.” And that title song was the
one that started the whole Lucky Dube thing going, cause it was kind of
a “mildish” song, you know, about children, so it was able to get some
airplay, draw some attention. Then the next one, “Slave,” is the one that
finally made history in South Africa [going triple gold in three months].”
Dube then went on to respond to what his message is. “Ya know,
my message is one of unity, the togetherness of people basically. I want
unity in ALL people. I’m not a racist in ANY way. Of course, you can’t
force people to like each other, what we do is we make them aware of
what’s going on.”
When you saw a black man you saw a criminal
When I saw a white man I saw an oppressor
But now that we know where we went wrong
Let’s unite...
That is why they call me ‘Trinity’
Cause my game is unity
- from “Trinity”
“Yeah, ‘Trinity’ was my nickname from High School. In those
Terrance Hill movies - all those Westerns - ‘Trinity’ was the man who was
always fighting for righteousness. There was no movie where he was the
bad guy. He was always the good guy. So I loved ‘Trinity’ so much that I
tried to always be like him, fighting for righteousness.”
In concert, Dube is dynamic with a song list which rivals that of
any superstar. Between songs he discusses his ideology, then skanks
into another of his thought-provoking numbers. He promises a two hour-plus
performance on Thursday night. “I can promise that we’ll
give everyone a good show. Everybody in my party enjoys what they’re
doing. We’ll be playing songs from albums in the past up to the new one,
“Taxman.” And the aim - as always - is to entertain, to educate and to
unite.”
Lucky Dube is at the peak of his considerable talents. His backing
band is comprised of exceptional musicians and Dube is truly one of the
greatest artists in reggae - or ANY genre. But don’t take my word for it.
Check him out yourself and with the intimate setting of Mississippi
Nights as the venue, this just might be one of the best shows you’ll ever
see.
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